The Best Control Surface For Your DAW – Assigning and Deleting Controllers in Expert View

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Easy View vs Expert View. You can choose either one!* Both options will allow you to map the same way but in expert view you can organize. More posts you may like · Logic Pro · PSA: Do NOT download Ventura if you use Logic as a professional until all third-party companies have. The owner or authorized user of a valid copy of Logic Pro software may and delete controllers in Easy view 38 Controller Assignments Expert view 38 Use.
 
 

Logic pro x controller assignments no expert view free download. Control Surfaces For All Popular DAWs

 

I typically use Helix Native for front of the amp effects and S-Gear to configure the channel strip, and use Logic Pro X controller assignments to map MIDI messages to plugin parameters to support a virtual pedalboard. At least it will show you some of the things you need to consider.

Creating controller assignments in Logic Pro X can be challenging. The process for creating, organizing and editing controller assignments can be tedious and error prone. In addition, controller assignments are stored as user preferences, and are not stored with the project. I suppose this is because the DAW designers considered the controller assignments should reflect the physical studio setup and be used consistently from project to project. Creating controller assignments in MainStage is much easier, can be done with or without Learn mode, allows easy editing of all controller assignment parameters, and is saved in each concert or concert template for easy reuse.

This makes it easy for you to create default assignments for a new control surface. These new assignments can be moved to other computers by copying your com. Simply paste this preference file into the Preferences folder of another computer, open the Controller Assignments window in Expert view, and change the MIDI Input parameter of one assignment as applicable to the MIDI setup on the other computer.

Then you can pick the zone you want to use for the specific project or activity. To see what multiplier is needed for some multi-valued S-Gear controls e. This section lists some Logic Pro preferences that are generally applicable to controller assignments and how they behave.

This is useful if you have multiple MIDI devices that should control the same automation parameter. Also deleting a Control Surface with Automatic Installation on will cause all controller assignments using the same MIDI device to be deleted, whether they were defined by the Control Surface or not.

This is achieved through use of Lua scripts. Devices supported by Lua scripts do not appear in the Control Surfaces Setup window, nor in the Install window. Lua is a lightweight scripting language supported by Logic Pro.

Assignments created by Lua scripts are created within a separate top level, modeless, Zone that is named after the device. These assignments are always active and interact with Control Surface Group 1. I have done this for Apogee GiO because I want to change all the controller assignments.

The order of the icons from left to right defines the order in which controller tracks and parameters are arranged and displayed on the devices. These establish fader groups for making controller assignments. Different control surface preferences can be created for different users on the same computer if needed.

Those simply have pre-defined mappings that can be reused. When the device is added, the automatic setup or scan procedure sets the appropriate MIDI input and output port settings for the device.

If a control surface device appears to stop working, then this automatic assignment may be incorrect, possibly because it was changed when the device was disconnected. You do not explicitly save controller assignments or related preferences and settings. These are automatically stored when you quit Logic Pro. Generally use Expert mode to create controller assignments. You can only switch back to Easy view if a track or plug-in parameter is selected because that is the only kind of mapping supported by Easy view.

This determines what channel strip will be the target of the incoming MIDI message. Control Surfaces can be installed in groups horizontally in the Control Surface Setup menu to represent aggregate control surfaces.

Touching a control on one of the physical devices in a fader group will select that fader group and select the track based on the index in the Mixer view Single, Tracks, All. For mapping foot pedals like Apogee GiO and FCB used to control a virtual guitar pedalboard, we want the MIDI messages to go to a specific track all the time, the one that has the guitar plugins. That could be the selected track if you are reusing the same MIDI controller for more than one track at different times depending on what you are recording.

Or it could be the same track all the time if the device is meant to work with only one track. Different zones with different target Channel Strip assignments can be used to enable using the same MIDI foot controller for different purposes.

The way to do this is to choose Audio as the Channel Strip, and set the index shown in the track Type and Number Label. For example, if you have a project that has audio channels 1 through 8, and 11 through 13 assigned to tracks, then there s a gap: 9 and 10 are unused.

If you send MIDI messages to audio 11, they will actually be sent to audio 9, Logic seems to subtract the gap when routing the messages to the audio channels. So be careful in how you assign the audio channels in different projects if you want to reuse these audio channel assignments. Its best to use a template for all projects, then modify the new project from the template, retaining the audio channel assignments.

Fader Bank or Index is not appropriate for selecting the channel strip in this case because the selected track will change depending on the current Fader Group and Mixer view. And that is possible with every other controller assignment class except track parameters. Controllers can be reassigned, keeping existing assignments so the same controller can control multiple parameters or replacing all existing assignments with an new one. Parameter field : Text description of the addressed parameter.

Note that for plug-in and instrument parameters, Parameter Page offsets apply, allowing you to shift the parameter addressing up and down by page. This sets the MIDI device and value change that will change the selected parameter. The Value Change field displays the message as a sequence of hexadecimal bytes.

The plain language meaning appears below the field. The placeholders for the variable part of the message are:. For messages containing only a Lo7 placeholder, the value is treated as 7 bit.

For messages containing both a Lo7 and Hi7 placeholder, the value is treated as 14 bit. The order of Lo7 and Hi7 is honored, and there may be constant bytes in between. For example, B0 08 Hi7 B0 28 Lo7 indicates a bit message. For messages containing neither Lo7 nor Hi7 placeholders, Logic Pro assumes an incoming value of 1.

The controller assignment MIDI message is what Logic will match in order to send the value to the configured automation parameter. This only applies to control surfaces that provide touch-sensitive controls where touching or releasing a fader, for example, enables or disables reception of data from the control surface. Bypass vs On : Toggle parameters may be Off 0 — On 1 , or Enable 0 — Bypass 1 , that is bypass on turns the effect off.

Typically bypass parameters should be inverted. However may not be quite correct to get the parameter to switch properly. Use This could be a bug. Use the plugin Controls view to see how the parameter value changes as you change the Multiply field and press the switch. Mode pop-up menu : Choose the mode used by incoming values to modify the current parameter value. All other values set the parameter value to 0 i. This option is useful for buttons that toggle a value, such as Mute or Solo.

This is commonly used for encoders but is also useful for buttons that increment or decrement by a certain amount—specified by the Multiply parameter. To decrement a parameter by 1 with a button press: Set Multiply to —1.

This is useful for button presses that cycle between modes, such as automation mode. This is useful for enabling or disabling single channel strip types in All view. It is set to Scaled for absolute controls faders and knobs, for example or to Relative for encoders. Feedback pop-up menu and checkboxes : Choose the display format of the parameter value on the control surface display, if applicable.

This can be useful to control the lights on a device like the Apogee GiO so that the lights properly reflect the state of the plugin parameter. Pingback: Using a DAW for band rehearsal — jimamsden. Hi, great article, very informative, thank you. I have a very specific problem, however, and am at a loss. Since you are obviously very knowledgeable about controller assignments, I was hoping you had an idea.

I think this is because Logic sends the peak value as attribute to the meters, rather than the real-time value. As you wrote, there seems to be no way of changing the attribute within assignments any other way than by using the learning mode.

Am I just being thick by not figuring it out? Any help would be greatly appreciated. Thanks a lot. Thank you so much for this! The Apple documentation is confusing at times, and people who understand this topic are a very rare find. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email.

Notify me of new posts via email. The Logic Pro X Controller Assignments view does not provide any way to edit the parameter of a controller assignment. The only way to select a parameter is using Learn mode. To change the parameter being controlled, you have to delete and recreate the controller assignment with the correct parameter.

Some Logic Pro X plugins allow parameter selection on the plugin Editor view. S-Gear and all the Logic plugins do this. You have to switch to the plugin Controls view to select the parameter value when using controller assignment Learn mode. This automatically learns the mapping in the Controller Assignments.

 

Logic pro x controller assignments no expert view free download

 

The No Zone entry is for zoneless assignments—assignments that are always active, regardless of the active zone. You can also double-click a zone to rename it. For more information see Use controller assignments zones and modes in Logic Pro.

Mode list: Displays modes for the currently selected zone. The No Mode entry is for modeless assignments. You can also double-click a mode to rename it. For more information, see Use controller assignments zones and modes in Logic Pro. The left column displays the name of the control and the right column displays the abbreviated name of the parameter being controlled.

It will also appear in this method, but in another place. You will find it in the Smart Controls window unfortunately these controls are not very smart at all. You can choose a different Layout by hovering over this header, you will see that it is a drop-down list — this is not obvious at the beginning.

It is worth experimenting by trying different elements from the list. This method of mapping and assigning parameters is the most complicated, but gives the greatest possibilities. Assigning many different parameters, usually from different plug-ins, allows to create very useful parameter combinations that can be controlled with one move in Ableton it is called Macro.

To define such a set, proceed in the same way as in the previous point. After mapping and assigning the first parameter, add the second and subsequent parameters as follows:. Thanks to this, by moving the wheel, knob, slider or pedal on your physical MIDI controller, you can control two or more parameters at once. Many trademark sounds, such as the Wobble effect known from Dubstep, result from modulating a few parameters.

By experimenting with many variables at the same time, you may even be able to create a completely new effect. All Categories Tags. Key Commands They refer to global commands as well as windows and menus. Select the command you are interested in, e. Now press the button on your physical MIDI controller, e. To do this, you need to use another method… Control Surfaces – Controller Assignments Although this option is in the Control Surfaces menu, it is universal for any physical MIDI controller, and is not just dedicated to typical Control Surfaces.

And that is possible with every other controller assignment class except track parameters. Controllers can be reassigned, keeping existing assignments so the same controller can control multiple parameters or replacing all existing assignments with an new one.

Parameter field : Text description of the addressed parameter. Note that for plug-in and instrument parameters, Parameter Page offsets apply, allowing you to shift the parameter addressing up and down by page. This sets the MIDI device and value change that will change the selected parameter. The Value Change field displays the message as a sequence of hexadecimal bytes. The plain language meaning appears below the field. The placeholders for the variable part of the message are:. For messages containing only a Lo7 placeholder, the value is treated as 7 bit.

For messages containing both a Lo7 and Hi7 placeholder, the value is treated as 14 bit. The order of Lo7 and Hi7 is honored, and there may be constant bytes in between. For example, B0 08 Hi7 B0 28 Lo7 indicates a bit message.

For messages containing neither Lo7 nor Hi7 placeholders, Logic Pro assumes an incoming value of 1. The controller assignment MIDI message is what Logic will match in order to send the value to the configured automation parameter. This only applies to control surfaces that provide touch-sensitive controls where touching or releasing a fader, for example, enables or disables reception of data from the control surface.

Bypass vs On : Toggle parameters may be Off 0 — On 1 , or Enable 0 — Bypass 1 , that is bypass on turns the effect off. Typically bypass parameters should be inverted.

However may not be quite correct to get the parameter to switch properly. Use This could be a bug. Use the plugin Controls view to see how the parameter value changes as you change the Multiply field and press the switch.

Mode pop-up menu : Choose the mode used by incoming values to modify the current parameter value. All other values set the parameter value to 0 i. This option is useful for buttons that toggle a value, such as Mute or Solo. This is commonly used for encoders but is also useful for buttons that increment or decrement by a certain amount—specified by the Multiply parameter. To decrement a parameter by 1 with a button press: Set Multiply to —1.

This is useful for button presses that cycle between modes, such as automation mode. This is useful for enabling or disabling single channel strip types in All view. It is set to Scaled for absolute controls faders and knobs, for example or to Relative for encoders. Feedback pop-up menu and checkboxes : Choose the display format of the parameter value on the control surface display, if applicable.

This can be useful to control the lights on a device like the Apogee GiO so that the lights properly reflect the state of the plugin parameter. Pingback: Using a DAW for band rehearsal — jimamsden. Hi, great article, very informative, thank you. I have a very specific problem, however, and am at a loss. Since you are obviously very knowledgeable about controller assignments, I was hoping you had an idea. I think this is because Logic sends the peak value as attribute to the meters, rather than the real-time value.

As you wrote, there seems to be no way of changing the attribute within assignments any other way than by using the learning mode. Am I just being thick by not figuring it out? Any help would be greatly appreciated. Thanks a lot. Thank you so much for this!

 
 

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